Passiamo ora alla terza fase del corso che si occupa del disegno di animali, il punto di partenza , come per le foglie, sono ancora le forme: dobbiamo osservare un animale e immaginare le sue parti come inserite nelle forme oiù comuni .
Di ciascun animale qui proposto si propongono quattro fasi principali di lavorazione, ma le limature , le prove ed errori, ripetute in modo paziente ,sono diverse in ciascuna fase. Cominciamo con due animaletti , che potremo inserire a completare il lavoro svolto precedentemente su foglie e alberi ,per raffigurare un bosco, ma li scegliamo perchè sono veramente semplici e veloci da realizzare.
Osservate i disegni in ordine number and try your hand in the operation, you will see that it will be pleasant, fun and rewarding.
One caution regarding the use of pencil careful not to give too much pressure in fact, that run through the sheet and makes the work of disorderly adjustment of the figure. Remember then that the sign of the tests should be barely noticeable, almost transparent, until it disappears altogether when deel will be replaced by the final line.
It therefore forms the main part and then proceed step by step inclusion of the details.
As you can see the bunny and, later, the squirrel can run a different shape depending on the position taken by the little head must be stressed here is that followed the technique of "point of view", ie you run the same subject represented from different angles, which seen in profile in front, for example, requires moving details. The question we must ask is "What I see from here? See that change in the arrangement of facial detail, evident in the eyes and ears.
most involved is the design of the horse should be in fact, tried several times to adjust the proportions, in fact in these figures as proposed would stretch your legs that would make the entire figure leaner and truthful.
Well, we still try, but the exercise, even with other animals sharpen your technique. It 'important to later try to portray the same subject in different positions: standing, sitting, lying down, ... but this exercise will be clearer when we treat the human figure, to represent exactly in different positions. In another phase
then observe the color, in particular the use of light and dark, through the observation of shadows created by dots of light from different angles, make the work more complete and real.
fun.
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